Category Archives: Weird Things

A digital renaissance for the science fiction short story

A man wakes up from a car crash to find that he is an “electric ant”: an android programmed to believe it is human. At home he uses micro-tools to open up his own chest and discovers a tiny spool of tape inside. Punching new holes in the tape makes new objects appear in his world, obscuring a section makes the world disappear. The android cuts the tape, and hears a rushing wind as all reality is revealed to him.

The contradictory concepts at the heart of Philip K Dick’s 1969 short story The Electric Ant have fascinated me ever since I first read it 20 years ago. It’s the capacity of the science fiction story to get us thinking about intriguing concepts that gives the form its punch. Today, the short-story magazines that helped to popularise science fiction are all but gone. But a new generation of online magazines has taken their place, and is transforming the genre again.

Read more @ The Guardian.

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The future is queer

I spent most of my youth being told to get a haircut. As a boy of slight build who usually had hair down around my shoulders, I looked a bit too much like a girl for the comfort of the home counties. Society gets angry when gender roles are blurred, precisely because those roles are a fragile act put on with clothes, hairstyles and makeup. If they weren’t enforced, clearly defined gender roles would not exist.

I take comfort in the idea that most of the young men telling others to get a haircut today are rushing home to play at being buxom dark elf warrior maidens in World of Warcraft. Gamer culture has gained a bad reputation for misogyny, but it seems male gamers are more than a little curious about playing out female gender roles. It makes perfect sense. The real world enforces gender roles, but virtual worlds let gamers express the feminine parts of themselves that don’t fit in with their masculine identity.

Read more @ Guardian books.

 

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Are we already living in the technological singularity?

news has been turning into science fiction for a while now. TVs that watch the watcher, growing tiny kidneys, 3D printing, the car of tomorrow, Amazon’s fleet of delivery drones – so many news stories now “sound like science fiction” that the term returns 1,290,000 search results on Google.

The pace of technological innovation is accelerating so quickly that it’s possible to perform this test in reverse. Google an imaginary idea from science fiction and you’ll almost certainly find scientists researching the possibility. Warp drive? The Multiverse? A space elevator to the stars? Maybe I can formulate this as Walter’s law – “Any idea described in sci-fi will on a long enough timescale be made real by science.”

Read more @ The Guardian

Self-publishing: is it killing the mainstream?

Brenna Aubrey self-published her debut romance novel At Any Price on the Amazon Kindle on 9 December 2013. One month later At Any Price had netted a total profit of £16,588. Aubrey’s success is far from unique – 2013 was a breakout year for “indie authors” led by the phenomenal success of Hugh Howey. But Aubrey is among the first in a wave of authors to do what, until very recently, would have been unthinkable; turn down a $120,000 (£72,000) deal from one of the big five publishing houses and decide to do their job herself.

Read more Self-publishing: is it killing the mainstream? | Books | theguardian.com.

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Forget Iron Man-child – let’s fight the white maleness of geek culture

Fantasy has become a sandbox for immature masculinity. What kinds of stories could we tell if our writers tackled the hard truths of male identity and privilege?

The coming year threatens to be another period of white, male heroism in geek culture. Another summer of superpowered men in the cinema. Another year with only 4% of video games having female lead characters. Another year where a list of 30 hotly anticipated fantasy novels lists only seven by women, and only one by a writer of colour, where a science fiction shortlist with two women out of five is greeted as some kind of victory.

Money is the bottom line in the uniform white maleness of geek culture. The entertainment conglomerates that produce most of this content fear the female geek because they might disturb the profit margins. Boys buy more toys. And so the evil eye of corporate marketing departments is fixed upon them.

Read more @ Guardian books.

Wheel of Time village

Does the Wheel of Time deserve a Hugo award?

The Wheel of Time began turning in 1990. Initially planned as a trilogy, by the time of author Robert Jordan’s death in 2007 the series had grown to a mighty 12 volumes. Working from Jordan’s notes, Brandon Sanderson added a further three volumes of eternal struggle. This sprawling fantasy epic has gone on to sell some 44m copies in north America alone, with global figures estimated as closer to 80 to 90m. That may be about a squillion times more than every Booker prize winner put together, but The Wheel of Time remains oddly unacknowledged beyond the fans that adore it.

Read more @ Guardian Books

The sci-fi you will be reading in 2014

Science fiction has arguably been the mainstream of pop-culture since the internet displaced TV at the centre of our lives. The younger, geekier internet audience is living in a weird, complicated world, and sci-fi provides the metaphors that let us talk about it en masse. Young audiences aren’t stupid, and The Hunger Games: Catching Fire isn’t killing the box office just because it’s the latest teen sensation. It’s how a generation growing up in the ruins of late-stage capitalism are articulating the experience. And SF today is articulating an ever wider range of experiences.

Read more @ Guardian Books

War Is Peace

Which dystopia are we living in?

It seems a bit rough to accuse modern Britain of being a dystopia when it’s also such an excellent source of tea, roast dinners and well-tailored clothing. But then the really disturbing thing about any dystopia is that for every Winston Smith resisting the machine, there are thousands of content consumers quite happy with Big Brother.

Read more @ Guardian books.

Five science fiction novels for people who hate SF

The genre’s denser stories can seem rebarbative to ‘general readers’, but these books tell immediately relevant, compelling tales.

Science fiction is all around us, from clandestine electronic surveillance to robots taking our jobs, from death-dealing drones in the skies of Pakistan right through to the second industrial revolution unleashed by 3D printing. It’s more than a century since writers began charting the technological dream of human civilisation we now live in, but some readers are still put off by a writer who reaches into the future, a novel with a spaceship on the cover.

Read more @ Guardian books

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Does God have a place in science fiction?

If SF is grounded in hard scientific fact, and science is killing God, then what place does that leave for divine intervention in the pages of SF literature? When I tweeted this question, @MirabilisDave gave Arthur C Clarke’s famous dictum a twist, quipping that “Any sufficiently advanced technocrat will be indistinguishable from God.”

Read more @ Guardian books

Cory Doctorow

Big Brother, big data and the creator culture

News of secret courts being introduced in the world’s oldest democracy should scare any rational human. The right to a public trial has survived feudalism, Henry VIII and the industrial revolution, but couldn’t stand up to the forces of global capitalism. Secret courts could be an idea from Alan Moore’s polemic on Thatcher’s Britain, V for Vendetta (today enjoying a second life inspiring Occupy protestors and the Anonymous hacker group) or from Homeland, the latest novel from science-fiction author Cory Doctorow.

Doctorow’s 2007 young adult novel Little Brother introduced teenage readers to the writer’s outspoken ideas on technology and personal freedom. The novel’s title is of course a play on Big Brother, from the granddaddy of all dystopian SF, George Orwell’s 1984. Orwell’s devastating vision of totalitarian state rule remains chilling, but it has dated with the advance of technology. Orwell was writing at a time when governments, whether the totalitarian dictatorships of Russia and China, or the democracies of western Europe and America, ruled with near absolute power. Today national governments seem increasingly impotent in the face of global economic forces and technological change they cannot begin to keep pace with.

Read more @ Guardian Books

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The rise of the artisan author

The community of SF writers has reason to dislike digital copying, or “piracy” as it’s commonly labelled in the tabloid press. Genre writers exist, by and large, in the publishing mid-list, where mediocre sales might seem most easily eroded by the spectre of illegitimate downloads. SF, fantasy and horror are also the literature of choice for the culture of geeks most likely to share their favourite authors’ works on torrent sites. Not surprising, then, that many professional genre writers and editors respond to the growing reality of copying with the absolutist position that piracy is theft, and should be punished as such under the law.

Read more @ Guardian Books

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