(My table is in my kitchen, the best room for writing. The buzz of the fridge provides enough ambient noise to relax the mind but not occupy it. The kettle is at hand to provide a ready supply of tea. These are ideal circumstances.)

Which is maybe why the question of why I write has been frequently in my thoughts of late. Its a big question, and not one I ever expect to find a definitive answer to. I write because I’m passingly good at it. I write because I have the ambition to be a successful novelist. I write because it gives me self-esteem, or status, or money, or some, none or all of the above. I write because my mother wrote, and every bad habit starts somewhere. I write because I’m a Clarion grad, and that is what we do. I write because Neil told me to keep writing, and really who am I to say no to that? I write because I’ve walked so far down the path that turning back seems absurd. I write, most of all, because I choose to and that is reason enough.

But if there is no answer for why I write, might there be an answer for why I write what I write? Which, when I give it a name, is that tricky beast called speculative fiction that I have been known to go on about from time to time. If speculative fiction is what I write, why then do I write it and not something else? Until a few years ago I did not know I wanted to write speculative fiction. I wanted to write. Who knows what. I’d read Clarke and Asimov, William Gibson, Iain M Banks, Philip K Dick. Tolkien, Lewis and Peake. Le Guin. Many more. Mostly novels with a few short story anthologies here and there. I thought I might be interested in science fiction, but was scared of the science. I hadn’t realised fantasy could be much more than elves and magic rings. Then maybe about five years ago, I turned one of those corners in the labyrinth of life. I was working, hard, on a really tough and stressful project. It was stretching me to my limits. I was waking up in cold sweats at three or four every morning for weeks wondering what would happen. Its at times like that that revelations come. I was standing in a favourite second hand bookshop, gazing at the rows of cheap sf paperbacks. And I realised, with great clarity, that I wanted to be one of those writers. I wanted to write something that belonged tucked on the shelves of the sci-fi section, alongside all those great names of the genre. And I also realised there were a lot of those names I had not read, so I set about reading them. And I started to realise that there was more to these books than maybe I could see, and I wanted to know what it was. Why did speculative fiction mean so much to me, and why did I want to write it?

Tonight I listened to the final episode of the Science Fiction and Politics podcast, recorded by Professor Courtney Brown of Emory University in his class on the subject. I discovered the SF&P podcast when it first launched, and was very happy to see it return recently. I’ve gained some tremendous insights into specific authors and the genre as a whole from Professor Brown. Tonight the podcast covered one of the most complex and difficult works by one of the genres most complex and difficult authors, Ubik by Philip K Dick. I won’t attempt to summarise the two hours of excellent analysis of Ubik (you might instead like to listen to it for yourself here) Brown and his class provide. But I found Brown’s conclusion massively interesting. In Ubik, Philip K Dick says that we are, all of us, every human being engaged in a constant struggle to understand the reality we find ourselves in. To understand ourselves, the world, the universe, everything. And that this struggle is without end, because not only are we limited in our ability to understand, and not only is there an infinite amount to be understood, but reality itself is plastic and constantly changing even as we seek to understand it. The are no answers, there is no truth to find, its the struggle itself that is the truth. As Professor Brown tells his students, ‘The is only one truth. You must fight for the truth.’

The truth. The struggle for the truth. Sounds like what art is really all about.

Speculative fiction is, for me, the art that most consistently manifests the driving determination to struggle towards the truth. It has grown upwards from its roots in the pulp magazines to become one of the most important genres of modern literature because thousands of writers have found in it the medium that lets them struggle towards their truth as artists. The stories those writers create are read by millions of people because they find in them some part of their own truth. Those ideas born in the genre: alien civilisations, space travel, androids, magic rings, dragons, swords of power, vampires, zombies, werewolves and so many more, however ridiculous they often are, have spread across our culture because in some way we may never entirely understand they communicate some thing about our reality that billions of us recognise as the truth. I find it fittingly counter-intuitive that an art form so dedicated to exploring unreality as speculative fiction, has become such a powerful way of struggling towards the truth of reality for so many people.

I write speculative fiction because it is the best way I have of struggling towards the truth. And I write about speculative fiction for the same reason. For instance, I had to write everything that came before just to reach that last sentence.

But that is really only my answer. I am certain there are others. So tell me this, why do you write speculative fiction? Comment, blog or tell me on Twitter tag #ywrite

Clarion San Diego Food

As I type eighteen new Clarionites are preparing to embark on the potentialy life changing experience that will be Clarion 2009. I know who you are, I’ve had a full list of your names and send you all good wishes.

You have come here seeking answers. Yes, at Clarion you will learn things about yourself as a writer you never even considered. You will make friendships that will grow and evolve in unexpected ways as you grow and evolve as a writer of speculative fiction. You will gleen nuggets of wisdom from expert writers who have walked the path before you, and you will discover truths about writing that might have taken years otherwise. All of this will happen as will much else.

But you will not enjoy the food. Yes my darlings, whatever whispered rumours sent you scurrying to your computer keyboard to Google ‘Clarion San Diego Food’ can not possibly be as bad as the reality you are about to experience. They call it Canyon Vista. We call it hell. So will you.

Have fun. And pack snack food.

The Clarion Foundation are fundraising to secure the future of the workshops and make sure no writer granted a place is unable to attend for financial reasons with generous scholarships. If you are feeling generous make a donation or help spread the word.

http://www.theclarionfoundation.org/donate.htm