The first Guardian blog post I wrote (just under two years ago…how time flies!) was titled The new world of the New Weird. I wrote the piece fully aware that the New Weird had already been and gone, but with the idea that it was none the less an interesting movement in genre fiction to highlight for The Guardian readership, who likely had no idea that genre fiction was capable of such literary experimentation. I also wanted to ask where the next wave of literary experimentation would come from. After New Weird, what would be the Next Weird?
(My mind is thinking all of this over as I recover from a weird 48 hour bug, so excuse me if I drift into a slight hallucinatory state as I type.)
I’m slightly disappointed that two years on I’m still waiting for an answer. Later this week I’ll be on The Guardian books podcast talking about, among other things, exciting new SF titles for 2010. Now, its not that there aren’t any exciting titles slated for 2010. But what I can’t see are any really experimental titles. It seems that in the wake of the recession and the titanic upheavals in progress in the publishing industry, genre fiction has entered a period of profound conservatism. Much of the new genre fiction to be published in 2010 seems to be very much ‘generic’ in nature, with very little that pushes at the boundaries of genre. I think thats a great shame, because without the new ideas and energy provided by more experimental writing genre fiction quickly grows stale. And without them the Next Weird might never arrive.
But maybe I’m wrong. Are there interesting and experimental authors set to make a mark in 2010? If so please tell me, so I can track down their work.
Thrin tells us all about her Yellow Wallpaper.
The Hugo awards are open for nominations, Electric Velocipede are eligible in a few categories.
Neil Gaiman has just won this year’s Hugo award for best novel, for The Graveyard Book – and I can’t be the only one who isn’t surprised by the news. I knew Gaiman was more than just a great writer when I read the comic mini-series Death: The High Cost of Living in 1993. I’d already been blown away by The Sandman, but in the spin-off series featuring Dream’s older sister, Death, I found something more.
Read more on the Guardian book blog
Editors are important. That much is certain. To put it simply, they decide who does and does not get published. And in the high courts of publishing that so many authors aspire to enter this makes them judge, jury and all too often executioner. But are they creative?
I’ve been lucky enough to interview both Charlie Stross and Cory Doctorow in the last year. To celebrate their nominations for both the Hugo and Prometheus awards, here are the two interviews again for anyone who missed them. I learned a lot from doing both interviews. Charlie has an insight into what science fiction is capable of that I had never considered before, and Cory understands the new paradigm between readers and writers better than any other writer working at the moment I believe. Continue reading What makes a Hugo nominee tick?
Its that mystic time of year when the mists of fate part to reveal a veritable hoard of awards in the speculative fiction field.
The Fix is nominated for the Critters.org awards in the category of best review site. It certainly gets my vote, although I did almost succumb to the last minute temptation to throw my support behind Erotic Escapdes. Voting is open to all at the address below.
Everyone’s favorite home for off the beaten track speculative fiction Electric Velocipede has two qualifying issues for both this year’s Hugo and Nebula awards, the highest honours of the speculative fiction field. These include the obviously amazing Issue #13 featuring my short story ‘Momentum’. Nominations for the Nebula awards are open to all members of the Science Fiction Writer’s of America, whilst the Hugo’s are open to any registered attendee of the ’07 or ’08 World Science Fiction conventions. If you qualify for either be sure to cast your vote before the relevant deadlines!