Independent author Susanna Shore expresses the bottom line on the state of independent publishing in a well thought out post on Kindle Unlimited.
As a KDP author, it’s impossible for me to remain completely neutral, even when keeping outside the dispute. Generally, I tend to favour the opinion that all big companies look for their best interests. For now, Amazon’s interests are favourable to me, but that doesn’t mean they are on my side, or that their interests will continue to be in my favour. Moreover, I don’t have to be on their side to benefit from their desire for profit. In this, I’m firmly on my side, which doesn’t mean I didn’t feel sorry for the authors affected by the dispute.
Read more of So…Kindle Unlimited
The high emotions engendered by the transition from print to digital publishing often cloud the basic facts. As Shore bluntly states, that transition, lead by technology innovated by Amazon, has fallen firmly in favour of writers, and particularly those writers with the energy and skill set to publish independently. Digital eliminates the entire print, distribution and retail chain that once sucked so much value from the wealth generated by publishing books. Now a writer can write and then publish a book to one of a half-dozen ebook marketplaces, Amazon Kindle being by far the largest, and keep hold of most of the wealth the book generates. Even after a substantial cut has gone to the marketplace, the author still gets a far higher percentage return.
But we live in fast moving technological times. The model of a few centralised ebook marketplaces is likely to disappear as fast as it appeared. I personally doubt it will last beyond the end of this decade, 2020. But what might replace it, and will the next wave of publishing technology continue to favour the author?
One way to understand the success of the Amazon Kindle marketplace is as a byproduct of the limitations of internet search. What do I mean by that somewhat jargon heavy statement? We need a central marketplace for ebooks, because Google search doesn’t quite fulfil that function. A Google search can help you find an author or book, but it quickly hands you over to anther information source that actually holds more extensive meta-data on that author or book. Amazon, or the Amazon owned Goodreads, are nearly always the top returned result for any ebook search. And of course it’s in the Amazon marketplace that you actually buy the book, and download it to your e-reader.
But the next stage of internet search has the potential to entirely bypass the Amazon marketplace, and other similar marketplaces for digital goods like ebooks. The semantic web is a simple idea made complex by a somewhat off putting name. In brief, it is the idea that every piece of information on the internet is tagged with the meta-data that describes it. For example, my name “Damien Walter” would also be tagged with my place and date of birth, web address, email etc etc and thousands or millions of other pieces of “meta data”. An ebook, let’s say Neil Gaiman’s American Gods, would be tagged with all the meta-data relevant to it. For instance, it’s current sales data, recent related tweets, reviews, and all kinds of other useful information. Once you have extensive semantic data on most ebooks, Google can effectively displace Amazon as the marketplace for ebooks.
Why? Because when you search, say, for “Science Fiction” on the semantic web, Google will return a far more useful result to you than the current Amazon science fiction category. It will be able to show you bestselling titles, top authors, most talked about books on social networks, and a huge amount of other data tailored to your needs. And all of this data will be decentralised. It will be provided directly, by publishers, by authors, and by readers. And of course, with it’s own robust payment systems, Google will happily deal with the translation to buy this product directly from the author, again without the involvement of Amazon. Instead of uploading an ebook to the Amazon marketplace for a 35-70%, authors might instead upload their new book to their own website, tagged with all relevant semantic data, and sell it via google for 97%, minus only Googles 3% transaction fee.
This is of course speculative. But given the current trends in our technology, there’s every reason to believe that the next technological developments in publishing will give even more power to authors than the Amazon marketplace has done already. Authors are, until computers start writing fiction, the only essential worker needed to create novels. As such the tendency of technology to automate all kinds of work will also tend to shift more and more power away from publishing professionals of all kinds, and towards the author.
5 thoughts on “Will the next wave of publishing technology favour writers?”
That’s an intriguing possibility, one that fits logically with recent trends, band is the first decent prediction I’ve seen for what’s next. I’ll be intrigued to see if it works out.
My instinct is it will fall well for authors. Whether this specific prediction arrives…it has some elegance, but future is not set ;)
This assumes that authors want to take on the role of publisher. As you know, we authors tend to be focused on other things, like inspiration and getting unruly characters back in line.
At the risk of making a fool of myself by predicting something not hidden behind the mask of science fiction, I suspect there will be a new kind of business person whose role it will be to manage the business side of writing. This person could even have a number of authors he or she works with and takes a cut of earnings from them all. Of course some authors will do everything, but precedent does not bode well for the vast majority of them being their own publishing companies.