Author Archives: Damien Walter
Andor is a Marxist story
Tony Gilroy has said that Andor wasn’t meant to be political, and any meaning came through “instinctively”. He’s also said Cassian Andor’s story is directly based on the life of Jospeh Stalin. So. Deliberate or not, Andor has Marxist ideology baked into its core. The story of a protagonist-of-color, from a native tribe destroyed byContinue reading “Andor is a Marxist story”
The deep symbolism of 1899
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What’s so great about Iain M Banks?
The Tales From The Bridge crew invited me for a return appearance on their fine podcast to defend the honor of Iain M Banks from their skepticism. We have a great chat about good writing, bad writing, the genius work of Iain M. Banks, and The Lord of the Rings: The Rings of Power, theContinue reading “What’s so great about Iain M Banks?”
Andor and the middle-aging of Star Wars fandom
Extended thoughts on Andor and the age clash of Star Wars fandoms, with audio from the short video essay on the same topic.
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The Peripheral – episode 1 analysis
A brief update on the Science Fiction podcast during our season break and a short analysis of The Peripheral episode 1
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Why does House of the Dragon work?
Watch the video essay on YouTube:
SEASON 1 FINALE : Writing the 21st Century Myth
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Advanced Scifi & Fantasy Writing
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The Rhetoric of Story
https://damiengwalter.com/the-rhetoric-of-story/
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On criticism and creativity
Why critique science fiction? I do get asked this question, after some years writing criticism on science fiction for The Guardian, BBC, Wired etc, and with the Science Fiction podcast in the Apple charts in a few dozen countries. So in the penultimate episode of season 1 of the Science Fiction podcast I give a few answers, and some suggestions for my fellow critics.
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Advanced Scifi & Fantasy Writing
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The Rhetoric of Story
https://damiengwalter.com/the-rhetoric-of-story/
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So. What did I think of The Rings of Power?
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Advanced Scifi & Fantasy Writing
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The Rhetoric of Story
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The Truth of Myth : JRR Tolkien and the return of the mythos
Lord of the Rings is the best-selling English langauge novel ever. And its close competitors – The Lion, The Witch and The Wardrobe, Game of Thrones and Harry Potter – share an important feature.
They are all works of mythopoiea…myths for the modern world.
JRR Tolkien had a very important insight. He saw that the modern world had lost its myths. Indeed, the modern world had run screaming from myths like god or heaven. Tolkien believed that was a mistake.
He wasn’t alone. When the philosopher Nietzsche said God Is Dead his point was that, without the old myths, men would invent new ones. And they would be much, much worse. Freddy was proven right as Communism and Fascism burst into the world, killing millions in war and genocide.
Tolkien lived through the wars and mass murder of the 20th century. He believed the world needed its myths back, so he wrote Lord of the Rings. The success of his great myth inspired many other creators, and sparked the return of the mythos to the modern world.
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Advanced Scifi & Fantasy Writing
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The Rhetoric of Story
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What does a metamodern future look like?
We’re in a civilisational war between the pre-modern, the modern, and the post-modern. Or to give them their “culture war” names – the Reactionary, the Neoliberal…and the Woke. We need a better future for our civilisation. A future some people are starting to call the Metamodern.
In this episode of the Science Fiction podcast I think about what a Metamodern future might look like. It’s a not a cyberpunk dystopia or a solarpunk utopia.
Instead I think our Metamodern future might look like…a theme park.
Watch my original critique of Hanzi Freinacht – https://www.youtube.com/watch?v=OJpR-TwJ-gc
Read Oliver Amrowson’s full question – https://www.youtube.com/watch?v=OJpR-TwJ-gc&lc=Ugx436_Gbl2ip_plwbd4AaABAg
Learn more at the Metamodern Spirituality community on Facebook – https://www.facebook.com/groups/metamodernspirituality
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Advanced Scifi & Fantasy Writing
https://damiengwalter.com/advanced-scifi-and-fantasy/
The Rhetoric of Story
https://damiengwalter.com/the-rhetoric-of-story/
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