Originally published on Fantasy Matters.
In my regular blog for The Guardian, I’m on record as saying that there are only two truly great science fiction movies. These are, of course, 2001 and Bladerunner. And if I think about science fiction as a ‘genre of ideas’ then I stand by that statement. No other SF movie even comes close to the vision of these two.
But. I have a confession to make. There are other SF movies that I love rather a lot, even though they have none of the philosophical depth of truly great SF. And when it comes to SF movies lacking any philosophical depth, there are none greater than the greatest of all Star Trek movies…Star Trek II – The Wrath of Khan.
Let’s be frank. Star Trek taken in its entirety has nothing of any great depth to say. Yes, I know, I know. The Federation is a utopian future society. If you altered the laws of physics just a teeny weeny little bit everything on board the Enterprise-D REALLY WOULD WORK, and classic Trek episodes like “Let That Be Your Last Battlefield” played around with political ideas like the civil rights movement. I grew up a Star Trek geek, I know the arguments. But let’s be honest with ourselves here for just a moment…all that stuff is just trimming around the edge of what we really love about Trek…it’s unabashed pulp storytelling.
From the opening sequence of the Kobayashi Maru, through Khan’s mind control ear wigs, to William Shatner’s greatest screen moment screaming ‘KHAN!!!’ in the Genesis caves, WoK is simply the greatest pulp adventure movie ever made.
I challenge even the most high brow cinema goer not to release a small whoop of joy when, with the USS Enterprise dead in space after an underhand attack from the hijacked USS Reliant, Kirk and Spock hack the opposing ship’s computer, lower her shields and, even as the eponymous Khan gloats over their defeat, unleash phaser hell on the Reliant. HURRAH!!
But there is more. Star Trek may not be deep in concepts or philosophy. But it does have heart and soul. Beneath all the photon explosions and vengeful villains, WoK is a film about friendship. With the Enterprise unable to reach warp speed, Spock enters the radiation filled warp chamber to fix the engines, sacrificing his own life to save those of his crew. Kirk and Spock’s final exchange, even through an inch of plexiglass, is genuinely moving. Bill Shatner overcomes his usually wooden acting style and manages to shed a tear. And I’m not ashamed to say, I do too.