What critics really mean when they say…

Nothing in publishing means what it says. Especially book reviews and the stuff they put in blurbs.

Renowned – unknown

Bestselling – crap

New York Times bestseller – utter crap

Seminal – almost dead

Legendary – actually dead

Cult – only readable by drug addicts

A powerful debut – you will never hear from this author again

Winner of… – went to uni / slept with a judge

A tale of love, hate and [INSERT IRONIC SUBJECT IE ironing, cats, bee keeping] – the book is essentially just the unremarkable life of the author who erroneously believes they are quite interesting

Volume 7 in the Chronicles of Tel’neth – sales started tappering off after Volume 2 and have never recovered, we’re hoping the author will die before we have to tell him he’s no longer in contract

One of our greatest living novelists – everyone is saying nice things about this but I really don’t know why

Hypnotic, spellbinding – didn’t get it

Brilliantly conceived, bold and exuberant – didn’t read it

Impossible to put down – only read the beginning

The long-awaited return of – written by the author after a minor nervous breakdown in a desperate attempt to pay their medical bills

The literary sensation of the year – author got to all the right parties

Astounding – competent

Astonishing – incoherent

Amazing – predictable

The list could go on forever. And why shouldn’t it? Tell me the ones I missed @damiengwalter

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Published by Damien Walter

Writer and storyteller. Contributor to The Guardian, Independent, BBC, Wired, Buzzfeed and Aeon magazine. Special forces librarian (retired). Teaches the Rhetoric of Story to over 35,000 students worldwide.

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