Five questions the new Blade Runner must answer

Any Blade Runner fan who doesn’t have mixed feelings about the Blade Runner 2049 sequel probably isn’t much of a fan. Hollywood sequels have a bad track record of course. And while the presence of Harrison Ford might encourage some to hope for a sequel as mighty as Star Wars: The Force Awakens, many of us also (vaguely) remember Indiana Jones and Crystal Skullymajig.

But let’s be crystal clear about one thing. Blade Runner has a strong claim to greatest ever scifi movie ever (with only 2001: A Space Odyssey really in contention for that crown). It also has a good shot at greatest ever movie, no exceptions. Agree with those claims or not, Blade Runner is a profoundly important story, with a place in our cultural life that only a very few works of art will ever reach. The chance to revisit that story is profoundly exciting.

These are my personal questions, going into Blade Runner 2049, that will act as a bellwether of the story’s quality. If the answers to these questions are absent, I suspect the film will be an empty, pretty husk. If they are present, even if the film is not the masterpiece of the original, there will be something there to satisfy me.

Did Rachel live?
A story that ends with the words “it’s a shame she won’t live” begs the question, which audiences will all be taking into the sequel, “did she live?” Rachel faces the same fate as Roy Batty et al. But while we saw them fail and die, and while we were told no solution existed, it remains possible…perhaps even probable…that Rachel survives. A high profile spat between Sean Young, who plays Rachel, and the Blade Runner producers, now looks like it might have been manufactured to cover secret scenes filmed by Young for the sequel. If so, the natural question becomes, what did Rachel do next? I think it’s very likely that the fate of the Blade Runner world in this sequel will be deeply determined by Rachel’s fate.

Is Deckard a replicant?
Most Blade Runner fans are aware of the popular theory, suported by Ridley Scott, that Deckard is himself a replicant. The prime evidence for this is the unicorn dream sequence, restored to later edits of the movie, and the origami unicorn left outside Deckards apartment, suggesting that his dreams – like Rachels – are known to his creators. While it remains a theory at the moment, Blade Runner 2049 will almost certainly confirm it either way.

Blade-Runner

Is Ryan Gosling a human?
No, this isn’t a dig at the acting talents of the Goslingator. He’s no Brando, but he’s waaaay less wooden than Keanu Reeves, and probably in a similar ballpark to the younger Harrison Ford. But as his character is the clear analog to Deckard in the original, we’re all going to be wondering about his humanity. As will he. I think you can expect Gosling’s search for his own human identity to be central to this sequel. That said, if the writers are really ambitious, the film won’t be about Gosling’s character on anything but the surface level.

Story is the operating system of human consciousness.

Are all the humans replicants?
Do Androids Dream Of Electric Sheep is the original novel by Philip K Dick that Blade Runner is, very very very loosely, based on. It’s a broken work of genius, less incoherent that other classic PKD novels like Ubik or The Three Stigmata of Palmer Eldritch. But it’s still dominated by wild concepts, at the expense of some very shoddy writing and flat pack characters. PKD spins his novel in an even weirder direction when Deckard visits a police station entirely staffed by replicants. The suggestion is that everybody in the world of the novel is a replicant. Story hints about Blade Runner 2049 tantilse with the possibility that it will explore this radical idea.

Can humanity recover its empathy?
Philip K Dick was the greatest myth maker of the 20th century, spinning metaphors for the strange new realities technology has thrown all of us into. Both his novel, and the Blade Runner movie, are modern myths about the human capacity for empathy. Replicants are a fiction, but our capacity to dehumanize and enslave other humans is as great as ever. Blade Runner 2049 has an incredible job to match the original as a treatise on empathy, and our human awareness of our own vulnerability and mortality, without which empathy cannot exist. I wish it luck in the task ;)

Published by Damien Walter

Writer and storyteller. Contributor to The Guardian, Independent, BBC, Wired, Buzzfeed and Aeon magazine. Special forces librarian (retired). Teaches the Rhetoric of Story to over 35,000 students worldwide.