It’s not enough to build an impressive visual world of computer generated imagery. You need to tell the heart of the story. The new Dune trailer suggests Villeneuve has – once again – failed at the most basic task of the storyteller.
Advanced SciFi & Fantasy
Writing the 21st century myth
Damien Walter, writer on sci-fi and geek culture for The Guardian, BBC, WIRED and graduate of the Clarion writers workshop, leads a journey into scifi and fantasy storytelling.
When high-falutin people talk about sci-fi you’ll often hear them use words like novum and the like. Critic and academic Darko Suvin came up with novum to describe the…thing…at the heart of every sci-fi story that makes it sci-fi. Androids hiding as humans! A world populated by talking apes! A portal that leads to everyContinue reading “Write better sci-fi stories with this simple idea”
Corporations love to take cool things and turn them to trash to make money. In the early 80s black artists took DJ music loops, rapped radical political lyrics over them, and invented hip-hop. Corporations took hip-hop and degraded it into “gangsta rap”, perpetuating stereotypes of black male violence to sell hip-hop to the masses. CorporationsContinue reading “Science fiction sold out. Let’s take it back.”
When did the science fiction community start using “genre” as a proper noun? “It’s a common thing in Genre.” As though “Genre” is a city you can visit. Or a distinct community unified by being “Genre”. It’s one of those linguistic ticks that arise on the internet. But for science fiction it’s also symbolic ofContinue reading “Genre fiction is the worst thing that ever happened to science fiction”
M John Harrison is one of the all time greats, a “science fiction writer’s science fiction writer”, a creator of weird tales in the horror tradition, and a powerful weaver of fantasy. The Viriconium stories defined political fantasy in the 80’s, as the Light trilogy redefined literary SF in the 00s. As editor of NewContinue reading “How does M John Harrison enter a story?”
When life takes an unexpected left turn I do four things – tidy my room, go running, take 72 hours away from anything stressful…and read a good book. This time around I landed on Neuromancer by William Gibson. I first read this book when I was 14, I suspect I read it at least sevenContinue reading “Neuromancer…still the best science fiction novel ever written”
Is Europe welcoming desperate refugees, or being invaded by economic migrants? Is Donald Trump a serious President, or a clownish attention seeker? The Man In The High Castle reveals the most basic truths about our era of competing narratives. * In 1947 the forces of Nazi Germany and Imperial Japan swept to victory over Europe andContinue reading “How Philip K Dick’s 1960’s masterpiece nailed politics in the 2020’s”
Neal Stephenson – legendary author of speculative fiction – on Elon Musk and geek culture, the NSA revelations of Edward Snowden, how negative cultural narratives are killing big science – and the upbringing that made him the writer he is. IN LATE 2013 I had the opportunity to interview the author Neal Stephenson. Some Remarks,Continue reading “The remarkable Neal Stephenson interview”
Sci-fi & Fantasy are best known as genre fiction. But truth be told, they have their roots in works of literature. For fans, and especially creators, of today’s modern mythology, it’s a good idea to get familiar with the literary novels that made SF&F what it is. The Glass Bead Game by Herman Hesse isContinue reading “7 literary Sci-Fi and Fantasy novels you must read”
Calling sci-fi a genre in 2016 is about as accurate as calling the United States one nation. In principle it’s true, but in practice things don’t work that way. While crime, romance and thrillers all remain as coherent genres of fiction, it’s been decades since sci-fi could be comfortably understood by any shared generic criteria.Continue reading “The 8 Tribes of SciFi”