Weird & Speculative

A long walk back in time

In My Real Life, Writing Journal on February 7, 2010 at 1:59 am

Sometimes, when I’m thinking about a story, I like to go for a good long walk. Fresh air and endorphines work wonders for the imagination. Yesterday evening I was struck with an idea for a World War 2 inspired story with Weird themes. I fell asleep on the sofa making character notes, then when I woke up this morning (having relocated to bed at some point in the night) decided to find a long walk to go on and consider the idea more. A bus journey out of the city later I was hiking along a winding country road between fields shrouded in a perfect, wet British mist. The World War 2 story was unfolding as I walked, and my imagination was deep in the the atmosphere of Britain circa 1939.

(Usually I find that one image sparks the atmosphere of an imagined world for me. In this case it was a young soldier, queuing to leave a troop ship, holding a Lee Enfield rifle. I never know where these things come from, but come they do and they bring with them many more.)

So I was almost on the sign for a ‘hot cup of tea’ at the NAAFI Cafe, sitting  to one side of the narrow footpath as it came over the crest of a hill. The sign pointed into a door leading through a a brick wall which in the moment I glimpsed it seemed utterly incongruous, a fragment of the city superimposed over the fields. I glanced through the door way down a set of wooden stairs at the bottom of which stood a pile of suitcases on a train platform. I was looking at an early 20th Century branchline train station, which as I entered I saw was complete with posters and advertisements from the late 1930’s, including instructions for the usage of gas masks and air raid shelters and other things linked with Britains preparations for war with Nazi Germany. Ass odd as this all was, it wasn’t awe or even curiosity that made me walk down those stars. It was a cold day, and I wanted a cup of tea.

How I had arrived at the the Great Central Railway without even knowing it existed is beyond me. For 30 years a dedicated crew of volunteers have been keeping this stretch of the former LNER railway line open and operating, complete with the most wonderful steam engines and four fully operational train stations all faithfuly recreated as the would have been in 1939. Which is exactly the year the WW2 story I had been considering was set. Sitting in the aforementioned NAAFI cafe with the steaming hot cup of tea, listening to big band music from an antique radio of the era and reading in the Daily Mail of Prime Minister Neville Chamberlain’s declaration of war, I had the disconcerting feeling of having walked inside my own imagination. And I’m yet to entirely shake it off.

Needless to say, I’m thinking the World War 2 story must now be written.

Reading at Short Fuse – True Romance

In Uncategorized on February 4, 2010 at 5:14 pm

I will be reading at Short Fuse again on 16th February. This is my 3rd time reading at the event and I’m glad to be invited back. The night is themed around True Romance, and I will be reading a new short story ‘At the heart of the maze i will find’. More details below:

February 16th at The Y Theatre
Short Fuse presents: TRUE ROMANCE
Love stories for St. Valentines

Greetings card schmaltz be damned; treat your loved one to an evening of passionate readings. And for anyone disillusioned with the whole hearts and flowers myth, expect company in your misery with tales of unrequited love, paranoia and hearts smashed into smithereens! But the main event will cheer the most cynical of souls…

Headliner Paul Burston reads an extract from his critically acclaimed comic novel, The Gay Divorcee. Find out more about Paul’s work at: http://www.paulburston.com/

Also featuring work by talented sci-fi writer, Damien Walter and Flash Fiction King, Joe Evans. Full line-up TBC.

See website for details: http://shortfusefiction.com
Book online at: http://www.leicesterymca.co.uk/y-theatre-whats-on-details.php?listing=773
Tickets £5.50/£4 concs

Americaland

In Writing Journal on February 4, 2010 at 2:38 am

At Clarion, I was nailed more than once for drawing on America as a setting and source for my writing. Given that I’m British, and my stories were being critiqued by a group of very intelligent and culturally aware Americans from across that vast continent, I really had no defence.

After one critique Neil talked to me about Americaland, the fictitious facsimile of the United States where many British writers set stories, himself included early in the early issues of Sandman. Americaland is real place for British writers, it is built from thousands of fragments of American TV, films, music, comics and other cultural artefacts. It’s a place filled with 1950’s dinners and long desolate highways among other things. And its just as imaginary as a Britain filled with red telephone boxes and bowler hatted business men.

(One draw of Americaland is the British tendency towards naffness…IE…any story that seems fascinating and dark in Americaland becomes utterly naff if you transplant it to the UK. Batman in Gotham = Dark Knight. Batman in Birmingham = mentalist in tights. If you are British and want to write Batman, or any other American archetype, then welcome to Americaland.)

Americaland is as much a fantasy world as Middle Earth or Dune. Some of the most fascinating fantasy worlds are the ones that overlap our reality so closely that the reader can almost accept them as real. Perhaps that’s why Americaland, with all its inaccuracies and cliches, can be such a compelling place to set stories in. Whenever I turn my hand to any story of the horrific or dark fantasy variety, I find Americaland creeping in from the edges. However hard I try to root these stories in the Britain I know, American locations and characters crop up again and again. When I turned to my imagination for material this weekend, it gave me a man and woman meeting in a dinner and going on a road trip. Its a story that can only take place in Americaland. So do I accept where my imagination is taking me, for all its flaws, or rail against it and force myself to write in British settings?

You tell me.